Wednesday, July 26, 2017

A Masterful Comedy of Errors at the Great River Shakespeare Festival

Comedy of Errors. Dir. Melissa Rain Anderson. Perf. Alex Givens, Maya Jackson, Stephanie Lambourn, Katie LeSuer, Melissa Maxwell, Duncan McIntyre, Chris Mixon, Christopher Peltier, Silas Sellnow, Jason Michael Spelbring, and James Queen. Great River Shakespeare Festival. Winona, Minnesota. 2016. 

The Great River Shakespeare Festival provided a fast-paced, farcical Comedy of Errors this season. It differed greatly from the 2010 production (for which, q.v.), which was presented more seriously. This show was all about the ridiculous, the ludicrous, and the farce.

The setting is something of a mix of 1920s flapper parties, Chicago-style underworld, and vaudeville. Before the show, we were treated to a piano, string bass, and vocal trio who were singing sultry songs that seemed to have the theme of magic: "Witchcraft," "I Put a Spell on you," "(You Give me) Fever"—perhaps included for its references to Romeo and Juliet ("Thou givest me fever . . . Fever, yea, I burn, forsooth"), and others.

The characters were straight out of the commedia delle'arte tradition. The two Dromios are prefect clowns, with ridiculous outfits—complete with enormous shoes. Their clowning was perfectly timed and impressively physical. Their confusion at, wonder about, and childlike admiration of the chaos unfolding around them was hilarious, and they worked very well with their respective Antipholuses (Antipholii?). The speech about the kitchen wench Nell was particularly stunning in that regard. Tarah Gerson as Dromio of Syracuse delivered the line "She is spherical" with a kind of overwhelmed awe that brought the image of the off-stage Nell before us all and made her a figure of majesty and amazement.

We also have the henpecked husband, the shrewish wife, the lovelorn sister all filling their places in the play—which doesn't mean they stay there. Shakespeare provides depth and roundedness even to characters that might otherwise be merely stock characters, and the actors play the roles with a healthy sense of that three-dimentionality.

The Great River Shakespeare Festival never fails to please—and it does so at the highest level, with the highest level of professionalism and production values.

And I'm off to see what they're going to do with Richard III . . .

Links: The Great River Shakespeare FestivalAn album of photos from the show.


No comments:

Bardfilm is normally written as one word, though it can also be found under a search for "Bard Film Blog." Bardfilm is a Shakespeare blog (admittedly, one of many Shakespeare blogs), and it is dedicated to commentary on films (Shakespeare movies, The Shakespeare Movie, Shakespeare on television, Shakespeare at the cinema), plays, and other matter related to Shakespeare (allusions to Shakespeare in pop culture, quotes from Shakespeare in popular culture, quotations that come from Shakespeare, et cetera).

Unless otherwise indicated, quotations from Shakespeare's works are from the following edition:
Shakespeare, William. The Riverside Shakespeare. 2nd ed. Gen. ed. G. Blakemore Evans. Boston: Houghton Mifflin, 1997.
All material original to this blog is copyrighted: Copyright 2008-2016 (and into perpetuity thereafter) by Keith Jones.

The very instant that I saw you did / My heart fly to your service; there resides, / To make me slave to it; and, for your sake, / Am I this patient [b]log-man.

—The Tempest